2011 Barolo, Cannubi, Serio & Battista Borgogno, Piedmont, Italy
Monica Larner - 29/06/2018
About this WINE
Serio & Battista Borgogno, Piedmont
Lying in the heart of one of Barolo’s most famous vineyard’s Cannubi in the village of Barolo, this small, traditional, 5th generation family-owned cantina (winery) dates back to 1897, and to Cavalier Francesco Borgogno. More recently it was his descendants, brothers Serio and Battista Borgogno who set about developing the cantina during the 1960s and ‘70s when the emphasis was largely on quantity not quality, buying in fruit/wine to fill their outsized winery. Today the baton has been passed to Serio’s daughters Anna (Bolla) and Paola (Boffa) and in turn their offspring Emanuela and Federica respectively. Anna’s husband Marco is making the wine, aided by Emanuela and since 2012 by enologo Luca Sarotto. These days the focus is increasingly on their vineyard holding of Cannubi, with plots facing south, north/east and west, while they continue to buy some fruit in for a separate white label range.
Vinification is traditional, fermenting in large wooden vats, before racking to Garbellotto and Veneto slavonian oak botte of up to 52hl for traditionally long affinamento/elevage. Bottling takes place without fining or filtering. They also release a long aged Riserva in good years.
Located due south of Alba and the River Tanaro, Barolo is Piedmont's most famous wine DOCG (Denominazione di Origine Controllata e Garantita), renowned for producing Italy's finest red wines from 100 percent Nebbiolo.
Its red wines were originally sweet, but in 1840 the then extant Italian monarchy, the House of Savoy, ordered them to be altered to a dry style. This project was realised by French oenologist Louis Oudart, whose experience with Pinot Noir had convinced him of Nebbiolo's potential. The Barolo appellation was formalised in 1966 at around 1,700 hectares – only a tenth of the size of Burgundy, but almost three times as big as neighbouring Barbaresco.
Upgraded to DOCG status in 1980, Barolo comprises two distinct soil types: the first is a Tortonian sandy marl that produces a more feminine style of wine and can be found in the villages of Barolo, La Morra, Cherasco, Verduno, Novello, Roddi and parts of Castiglione Falletto. The second is the older Helvetian sandstone clay that bestows the wines with a more muscular style. This can be found in Monforte d'Alba, Serralunga d'Alba, Diano d'Alba, Grinzane Cavour and the other parts of Castiglione Falletto. Made today from the Nebbiolo clones Lampia, Michet and Rosé, Barolo has an exceptional terroir with almost every village perched on its own hill. The climate is continental, with an extended summer and autumn enabling the fickle Nebbiolo to achieve perfect ripeness.
Inspired by the success of modernists such as Elio Altare, there has been pressure in recent years to reduce the ageing requirements for Barolo; this has mostly been driven by new producers to the region, often with no Piedmontese viticultural heritage and armed with their roto-fermenters and barriques, intent on making a fruitier, more modern style of wine.
This modern style arguably appeals more to the important American market and its scribes, but the traditionalists continue to argue in favour of making Barolo in the classic way. They make the wine in a mix of epoxy-lined cement or stainless-steel cuves, followed by extended ageing in 25-hectoliter Slavonian botte (barrels) to gently soften and integrate the tannins. However, even amongst the traditionalists there has been a move, since the mid-1990s, towards using physiologically (rather than polyphenolically) riper fruit, aided by global warming. Both modernist and traditional schools can produce exceptional or disappointing wines.
Recommended traditionalist producers:
Giacomo Borgogno, Giacomo Conterno, Bruno Giacosa, Elio Grasso, Marcarini, Bartolo Mascarello and Giuseppe Mascarello.
Recommended nmdernist producers:
Azelia, Aldo Conterno, Luciano Sandrone, Paolo Scavino and Roberto Voerzio
Nebbiolo is the grape behind the Barolo and Barbaresco wines and is hardly ever seen outside the confines of Piedmont. It takes its name from "nebbia" which is Italian for fog, a frequent phenomenon in the region.
A notoriously pernickety grape, it requires sheltered south-facing sites and performs best on the well-drained calcareous marls to the north and south of Alba in the DOCG zones of Barbaresco and Barolo.
Langhe Nebbiolo is effectively the ‘second wine’ of Piedmont’s great Barolo & Barbarescos. This DOC is the only way Langhe producers can declassify their Barolo or Barbaresco fruit or wines to make an early-drinking style. Unlike Nebbiolo d’Alba, Langhe Nebbiolo can be cut with 15% other red indigenous varieties, such as Barbera or Dolcetto.
Nebbiolo flowers early and ripens late, so a long hang time, producing high levels of sugar, acidity and tannins; the challenge being to harvest the fruit with these three elements ripe and in balance. The best Barolos and Barbarescos are perfumed with aromas of tar, rose, mint, chocolate, liquorice and truffles. They age brilliantly and the very best need ten years to show at their best.
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This is an especially fine and pretty kirsch red fruited example of the the Cannubi vineyard in the village of Barolo, as made by the Borgogno family at the vineyard's heart, from the sunny, earlier drinking 2011 vintage: a blend of three different parcels of Cannubi, 'Cane' (named after the previous owenr), 'Nuova' and 'Battista' (the most favoured, south facing), vinified by owner Marco, his daughter Emanuela and their new enologo Luca, this particular bottling comes from one single 50hl slavonian botte (barrel) # 19, selected by me.
Pale strawberry red in colour, the nose sings with delicate strawberry and tea leaf notes, refined and persistent; to taste meanwhile, it's generously fleshy, with sumptuous summer fruit, fresh and lively. Indeed it possesses an almost glass slipper quality, with porcelain cassis fruit and immense charm. Bottled mid December 2014, having been fermented in large oak before being racked to botte #19, the three years' wood ageing has meant that no stabilising, clarifying or filtering has been required, so retaining the wine's intrinsic, stripping nothing away.David Berry Green
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